Abrams seems to have had the original three films firmly in mind when he embarked on this monumental new undertaking, structured as a series of clever if sometimes wobbly callbacks to a trilogy that captivated a global audience and helped cement Hollywood’s blockbuster paradigm. Reinvigorating the franchise with a welcome surge of energy, warmth and excitement after the misbegotten cycle of prequels released between 19, incoming writer-director J.J. If the first “Star Wars” (1977) hadn’t already been rebranded “A New Hope,” that optimistic title might have applied just as well to “ Star Wars: The Force Awakens,” by any measure a rousing, even restorative seventh chapter in the immortal space-opera saga established and now relinquished by George Lucas. (EDITOR’S NOTE: While every effort has been made to avoid spoilers, those seeking an untainted viewing experience are advised to avoid reviews, this one included, until after they’ve seen the movie.)
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